exorcist 3 review

The performances are in every way appropriate to this movie made this way. Yet each in its own way forces us to look inside, to experience horror, to confront the reality of human suffering. Brad Dourif's full performance as the Gemini Killer. The Exorcist III initially received mixed reviews from critics. Read honest and unbiased product reviews from our users. “The Exorcist” also has that effect--but we’re not escaping from Friedkin’s implications, we’re shrinking back from the direct emotional experience he’s attacking us with. Watching The Exorcist III is a frustrating experience, with both cuts of the film - one a victim of studio tampering, the other imperfectly restored - pointing to the better version of themselves that, like Karras, remains hidden within. Don't have an account? I guess so; in fiction the artist has poetic license. A good chunk of The Exorcist III is taken up by a series of sit-down chats; close-ups of Scott's ugly mug are the only half-frightening thing on the screen. This shot strikes me as a distracting stunt, and since it exists in isolation from the scenes around it, feels gratuitous. If movies are, among other things, opportunities for escapism, then “The Exorcist” is one of the most powerful ever made. Some boring unnecessary sequences are going to decrease the overall rating but that's nothing to be mad about. “The Exorcist” is one of the best movies of its type ever made; it not only transcends the genre of terror, horror, and the supernatural, but it transcends such serious, ambitious efforts in the same direction as Roman Polanski’s “Rosemary’s Baby.” Carl Dreyer’s “The Passion of Joan of Arc” is a greater film--but, of course, not nearly so willing to exploit the ways film can manipulate feeling. Exorcist III wields a mighty sword of scares and contemplation, drilling into those primal areas of nail-chewing tension...This film is a humdinger. La única y mejor secuela de la saga, aún si se tratara de una película aparte, se sostiene perfectamente por sí sola, buenas actuaciones, buena historia y pese a que es más Thriller que Terror, logra tener momentos aterradores. Exorcist III may not have the visceral impact of the first film, but it gives viewers far more than they had any reason to expect. Never for a moment--not when the little girl is possessed by the most disgusting of spirits, not when the bed is banging and the furniture flying and the vomit is welling out--are we less than convinced. The director's cut (titled The Exorcist III Legion) is superior on many points, but the theatrical version is still a very good version. [18 Aug 1990, p.C3]. Meh. It began with Ingmar Bergman’s “Cries and Whispers,” and it closed with William Friedkin’s “The Exorcist.” Both films are about the weather of the human soul, and no two films could be more different. All rights reserved. The Exorcist III has the feel of a nightmare catechism lesson, or a horror movie made by a depressed monk. As always both George C Scott and Brad Dourif are absolutely brilliant and the directing is actually very fine for someone who wasn't a director (since The Exorcist III is in fact the only entry in the franchise that really scare the s**t out of me. This one's a thousand times better than the weenie Exorcist II: The Heretic they made in 1977. That it received an R rating and not the X is stupefying. The Exorcist III: The Cast On Working With George C. Scott, The Exorcist III: The Cast On Jason Miller, The Exorcist III: Editor Todd Ramsay On Creating The Film, The 25 Best Console Launch Games (Since 2000). And Friedkin has admittedly given us a good one. Please enter your email address and we will email you a new password. Ellen Burstyn, as the possessed girl’s mother, rings especially true; we feel her frustration when doctors and psychiatrists talk about lesions on the brain and she knows there’s something deeper, more terrible, going on. That does not make it evil, but it does not make it noble, either. Even in the extremes of Friedkin’s vision there is still a feeling that this is, after all, cinematic escapism and not a confrontation with real life. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. Suggests that Blatty had seen and loved many films without ever really paying attention to how they worked. May not have the visceral impact of the first film, but it gives viewers far more than they had any reason to expect. Linda Blair, as the little girl, has obviously been put through an ordeal in this role, and puts us through one. As always both George C Scott and Brad Dourif are absolutely brilliant and the directing is actually very fine for someone who wasn't a director (since. The first time I saw “Cries and Whispers,” I found myself shrinking down in my seat, somehow trying to escape from the implications of Bergman’s story. We don’t necessarily believe them ourselves, but that hardly matters during the film’s two hours. Unnecessary sequel to sequel with top cast. A police Lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased Gemini serial killer, leads him to question the patients of a psychiatric ward. During the movie there are no reservations, but only experiences. A West Wing Special to Benefit When We All Vote. Is this fair? Now Playing: The Exorcist III: Look At Me! Against his will, Blatty added the sound-and-fury finale, and it's easily the weakest aspect of his movie. To name something is to tame it; Blatty is interested in our eternal struggle with the unnamable. The original Exorcist obviously stands out a bit more for Linda Blair’s performance and make-up FX. But that's mainly because everything that comes before it is so hauntingly understated. “The Exorcist” does that with a vengeance. Get a list of the best movie and TV titles recently added (and coming... What to Watch Now on HBO Max and the HBO App, Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by. The last chapter of the novel never totally explained in detail the final events in the tortured girl’s bedroom, but the movie’s special effects in the closing scenes leave little doubt that an actual evil spirit was in that room, and that it transferred bodies. It may be that the times we live in have prepared us for this movie. [George C. Scott] delivers a soulfully pained performance as detective Kinderman from the first movie. I heard part II sucked. Find helpful customer reviews and review ratings for The Exorcist 3 at Amazon.com. Please enter your birth date to watch this video: You are not allowed to view this material at this time. We see the "spider walk," an infamous scene much discussed by "Exorcist" buffs in which Regan is seen walking downstairs upside-down, crab-style. It began with Ingmar Bergman’s “Cries and Whispers,” and it closed with William Friedkin’s “The Exorcist.” Both films are about the weather of the human soul, and no two films could be more different. Jason Miller, as the young Jesuit, is tortured, doubting, intelligent. Some sequences are just creepy as hell. Looking forward to tomorrow’s review! As always both George C Scott and Brad Dourif are absolutely brilliant and the directing is actually very fine for someone who wasn't a director (since the job was done by William Peter Blatty, the franchise's creator). Medicine may have, but the movie hasn’t. and to receive email from Rotten Tomatoes and Fandango. Rarely do movies affect us so deeply. The Friedkin film is an exploitation of the most fearsome resources of the cinema. Review aggregate website Rotten Tomatoes has reported that 59% of critics gave the film positive write-ups based on 41 reviews, with a rating of 5.43/10, with the consensus: "The Exorcist III is a talky, literary sequel with some scary moments that rival anything from the original". This third entry doesn’t try to rehash the original and stands on it’s own, yet still shares similar themes and characters. I’ve always preferred a generic approach to film criticism; I ask myself how good a movie is of its type. Yet each in its own way forces us to look inside, to experience horror, to confront the reality of human suffering. I’m not big on Exorcism films because I just don’t find these scary, but redundant. This movie doesn’t rest on the screen; it’s a frontal assault.

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